In the 1950s, the Fender Tweed Deluxe (5E3) was a medium-powered amp. It was intended to allow guitarists to “hold their own” in a small group. An overdriven sound of a cranked-up Deluxe made its way on to other live. The recorded performances as Western, Blues, and Rockabilly bands became louder.
But the most important question most musicians have is what is the best Speaker for 5E3. To answer this question we are here. Also, if you are the one looking for that answer, then you come to the right place.
As you all know, How beautiful is the Fender Tweed Deluxe? It produces a great sound that can bless your ears with soothing music. But if the speaker you are using is not that good, it won’t help anyway.
Well, don’t worry about good speakers. We are here. We have had intense research regarding the best speakers for 5E3. We found some market dominators along with some underrated speakers. By going through all our product reviews you will get the best one for you.
Further ado, let’s get into the product details-
Short Comparison Table
|Image||Product||Speaker Maximum Output Power||Speaker Size||Price|
|EMINENCE LILTEXAS Guitar Speakers||125 Watts||13.75 x 13.75 x 6.2 inches||Check Current Price|
|Eminence Legend 1258 Guitar Speaker||75 Watts||18 x 17 x 7 inches||Check Current Price|
|Warehouse Guitar G12C Speakers||75 Watts||12"||Check Current Price|
|Celestion Blue Guitar Speaker||15 Watts||12 inch||Check Current Price|
|Jensen Speaker (P12Q8)||40 Watts||12 inch||Check Current Price|
|Jensen Speaker (P12R8)||25 Watts||12-inch||Check Current Price|
EMINENCE LILTEXAS Guitar Speakers
Eminence created the LILTEXAS speaker with an American-style alnico magnet. To the requirements of George Allessandro, a famed boutique amp maker. This speaker’s tones are authentically old, having been made to sound much like speakers from 1959.
Eminence employed historical materials in the construction of these speakers. It includes copper coils, a paper cone, and an Alnico magnet, as noted. Despite the utilization of antique materials, contemporary production procedures will assure much more dependability.
Before I go any further, I should point out that these speakers need a much longer break-in time than the Jensen & Celestion. I spent nearly 8 hours just on the test bench only with LILTEXA. and it was only recently that it started to lighten up a bit.
This speaker was rather gloomy out of the box. This worked well for delta blues and certain Muddy Waters-style playing. But I believe it restricts its appeal to a broad audience. As it began to lighten, more of its personality emerged, notably the “low-mid grunt” and great heat in the high mids.
The Eminence can help you dial in a lovely vintage tone if you’re willing to put in the time to break it in. It sounded best to us when played cleanly. The tone rolled back to approximately 6. The mids and lows sound great on this speaker. With these settings, I was able to retain more control over the highs. Just by keeping them bright and shimmering while avoiding strident territory.
Room For Improvement
Even the best compress pedal have room for improvement.
And this was by far the largest speaker on the test (8.4 lb vs. 4.12 lb). So if you’re seeking to place numerous speakers in a cabinet and are worried about size, the Jensen speaker will provide comparable vintage tones for nearly half the weight.
Eminence Legend 1258 Guitar Speaker
Well, Another product from Eminence. This one is kind of the same speaker as the previous one. But it has more output power. The maximum output capacity is 75 watts whereas the precious one is only 25 watts.
This Eminence Legend 1258 Speaker has a classic American growl to it. But it also has sparkle, definition, and a sassy top-end. Rock & roll and blues are all great choices. The Eminence speaker is a great substitute for old alnico Jensen speakers.
The Legend 1258 Guitar Speaker, as well as Fender Blues Reissue, the Fender FM212R, Fender Blues Junior, and Behringer V-Tone Gmx212 combination amplifiers, are recommended by Eminence as straight replacements for the Basson B412 cabinet.
This speaker is superior to the original in terms of sound quality, with a strong, deep tone. The woofer basket is made of lightweight metal. it has a 1.35 coil compression driver that is made of pure titanium. Moreover, It has a 12-inch woofer with a 2-1/2-inch voice coil as well as a 65-ounce magnet.
Room For Improvement
This Eminence Legend 1258 is one of the best speakers. But it’s larger than the previous one. However, this one is lightweight. But if the weight is not the issue, then you can pick Eminence LILTEXAS.
Warehouse G12C Guitar Speakers
Warehouse Guitar Speakers, like every other brand on our list, don’t offer many 8 ohm versions in their lineup. The WGS G12C and G8A are the only two options. WGS’ G12C is their most cheap model. The sound has a smooth core with piercing highs.
Don’t worry if your overdriven tone sounds muddy; each note would be distinct and have a forceful attack. Warm and rich, the clear tone. The overall tone is louder than the sound of Eminence Patriot 820, despite the smooth core sound. As a result, the WGS G12C is one of our most adaptable speakers.
This Warehouse G12C is a 12″ seamed cone ceramic speaker with a 30 oz. motor. It sounds similar to a Jensen C12n, but with a warmer tone and deeper depth. There are 8- and 16-I variants available.
Because of the increased power handling, it will operate as well in lesser wattage combinations. It features 8 ohms, 75 watts, a diameter of 12.2″ overall depth of 5.3.”
Room For Improvement
The size of this speaker is 12.2”. If you want a little bit smaller one then you can choose Celestion Blue Guitar Speaker.
Celestion Blue Guitar Speaker
The Celestion Blue speakers are indeed a fixture in the blues genre. I doubt you’ll ever hear a conversation about the finest blues speakers that doesn’t include the Blue. Even if I hadn’t read the specifications, a fact that they will be powered by an earthenware magnet was obvious.
The lows, mids, and highs all have tight tones. This led to an exceptionally quick player reaction, which may come as a surprise to some. When performing through a Celestion Blue, any weaknesses in your mechanics will be shown fairly clearly. If you have a looser playing style.
Its power rating is just 15 watts, however, it is not enough. Any other speakers on our list like Warehouse or Jensen have more power than this one. Higher gain worked well for them, especially while performing SRV and Jimi Hendrix-style songs. This speaker also exhibited good balance throughout the spectrum when played clean.
The blue’s ribbed paper cone aids in the accurate reaction. Ribbed cones like these had very little elasticity, which improved the punchiness significantly. There’s very little change in the tone also after hours of play, and there’s no need to concern about a break-in time. But, if you’re looking for it to soften a bit after some usage, you might be disappointed.
The Celestion Blue is a well-built, dependable speaker. It has great clarity and strong tones in the mids, lows, and highs. I liked how well it handled high gain. Though I thought it sounded a touch flat while playing more conventional blues. If you’re searching for anything that will sound well in rock, blues, and country, the Celestion Blue is a great option.
Room For Improvement
It has only maximum power of 15 watts. This one is the lowest power generator speaker on our list. You can pick Eminence Legend 1258 Guitar Speaker which has 75 watts of maximum power.
Jensen Speaker (P12Q8)
Jensen is generally recognized as being one of the industry’s leading speaker manufacturers. So it’s no surprise when their Vintage Alnico line, notably the P12Q, performed well for blues-style playing.
Jensen uses the term “vintage” quite loosely. The tone of the P12Q was so accurate that it seemed like you were playing through fresh old stock. Sensitivity is modest at 95dB. It results in a lower audible loudness than that of the Eminence. It is substantially more sensitive.
This was ideal for old-school blue since it allowed me to turn up the amplifier. And then let the tube do its thing while keeping the volume in check. Although the test was conducted in a solo environment, the low sensitivity will prevent you from drowning out a band.
Since the lows are a little loose, this speaker isn’t ideal for rhythm players. But it’s fantastic for lead work. The speaker is integrated with 8 mounting slots. It made it a drop-in option for most combination amps & cabinets.
It’s driven by an alnico magnet, as you may imagine from the name. It explains the true vintage sound. A realistic paper cone was added to the mix.
The P12Q, like many Jensen speakers, was bright and stiff at first. Stick with it through the break-in phase. But you’ll be repaid with creamy mids and tremendous crunch when pushed.
Room For Improvement
It has only 40 watts of power. If you want more power then you can choose warehouse Guitar Speakers G12C.
Jensen Speaker (P12R8)
Another product from Jensen. This one is cheaper than the previous one. Almost all the features are kind of the same as Jensen Speaker (P12Q8). It just has 25 watts of maximum power whereas P12Q8 has 40 watts.
It has a 12″ in diameter overall “Magnet with an impedance of 8 / 16 Ohm. The a-rated output of 25 watts Overall weight of the Alnico is 3.55 lbs. It has a response of 60-7k and a voice coil diameter of 1 inch. “Lows are loose in the middle of firm highs, with a magnet weight of 7 oz. overdrive in high gear bassist description: warm round and guitarist description: direct, brilliant tone
Jensen throws about the adjective “vintage” a lot. The P12RB’s tone was so spot-on that it sounded like you were using brand-new old stock. With a sensitivity of 95dB, the Eminence has a lower audible loudness. The Eminence is far more sensitive.
Room For Improvement
This Jensen (P12R8) has only 25 watts which is even less than (P12Q8). Also, it has a version of 16 ohms. This version creates more noise. So, you can pick Jensen Speaker (P12Q8) instead of this one.
Things you Should Consider While Buying A Speaker for 5e3
5E3 has gone through so many stylistic shifts over the years. You may be attempting to emulate the smoothness of BB King’s licks. You can use something rowdier, a la Stevie Ray Vaughan — both very different, but unquestionably blues.
You may pick speakers that complement the different tones in order to get the sounds you want. The process of making a speaker and the components that go into it. Here we talk about the major components of a speaker.
In order for the cone to move, a magnetic coil, as well as a magnet, are fitted to the speakers. When they receive electrical input from the amplifier, they create opposing magnetic fields. The vibrations created by this movement are what we hear as the music we’re performing.
Different kinds of magnets react differently to the magnetic wave produced by the coil. And it results in a variety of sound characteristics. That size of the magnetic has an impact on tone and contour as well.
Ceramic, Alnico, and Neodymium are the three most prevalent magnets used in speakers today.
For guitarists searching for a vintage sound, alnico magnet speakers are ideal. In the 1950s and 1960s, they were the most popular magnets used in speakers. The modern versions still produce compressed tones. They have a warm tone and dazzling highs. It will still deliver you a terrible breakdown when you need it. It makes them great for softer blues genres.
Ceramic magnet speakers soon gained popularity. As they offered many of the same benefits as alnico speakers at a fraction of the price and weight. Ceramic magnets, on the other hand, generate a tighter tone than alnico. These are thus more suited to more current blues genres.
Neodymium is the most recent material. It was by far the most effective magnet. It produces over 20 times the magnetic field of a comparable sized ceramic or ferrite. It is a popular option for players who perform in huge venues. They have a quick assault and great player reaction. It makes them a fantastic alternative for fast players looking for clarity.
Cone Material for Speakers
The cone material is also one of the most essential aspects of a speaker’s sound production. They’ve constructed everything from paper to metal throughout the years. This factor also affects the longevity of speakers.
The perfect material will begin to vibrate and then halt dead in its tracks. However, one substance isn’t always superior to another. All-day, every day, a well-made paper cone will outperform a poorly created metal one.
Plastic cones are inexpensive and simple to manufacture in large quantities. They may be dependable, but they lack personality and have a numb sound.
Paper cones have a bright and fun sound and have some of the greatest vibration responsiveness. The kind of paper used, as well as any treatments it has had. It will have a significant impact on the sounds it produces.
Since paper is absorbent, dirt, moisture, or anything that comes into touch with it over time will alter its output. This may improve them by adding more personality. Or it might utterly destroy the sound; there’s no way to know ahead of time.
Aluminum cones are the most durable of all of the materials. Because of their inherent resonance, they don’t start and stop vibrating as rapidly as other materials. It results in a delayed player reaction. They provide amazing clarity and detail once they begin moving.
Aramid fiber is a woven fabric that combines the durability of plastic. It has the texture of paper and the strength of the metal. They’re precise, sensitive, and have a broad midrange that’s ideal for blues.
Although there are some speakers that can pop when a fridge turns on, you can rest assure that 5E3 will not disappoint you in any way.
What is the impedance of the speaker?
The impedance is set to 8 ohms. Usually, this is the perfect ohms for any speaker. But there is also a version of 16 ohms.
What is the wattage of 5E3?
The 5E3 Tweed Deluxe is among the most well-known tiny tube amplifiers of all time. It’s a terrific club amp at 15 watts. Neil Young, Billy Gibbons, Eric Clapton, Don Felder, and numerous others have all performed it.
What was the 5e3’s amp?
For the initial gain stage, the 5E3 employs a 12AY7 preamp tube. To maximize amplification, limit headroom, and increase breakdown and distortion, use a higher gain 12AX7.
5E3 is all about expressing yourself. Having your guitar speaks for you, and tone is a big part of it. We tried to give you a perfect review of Best Speaker for 5E3.
Getting the appropriate speaker in the amp may have just as much of an impact on your tone. As changing pickups, valves, or even switching amplifiers. Because blues tones vary so greatly based on the style, sifting through the alternatives on the market and finding the models that would best compliment your playing is really rather simple.